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c. 1445 – May 17, 1510. Italian painter.

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Dominic Serres
An English man-o'war shortening sail entering Portsmouth harbour, with Fort Blockhouse off her port quarter

ID: 92445

Dominic Serres An English man-o'war shortening sail entering Portsmouth harbour, with Fort Blockhouse off her port quarter
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Dominic Serres An English man-o'war shortening sail entering Portsmouth harbour, with Fort Blockhouse off her port quarter


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Dominic Serres

British Painter, 1722-1793  Related Paintings of Dominic Serres :. | The Cathedral at Havana, August-September 1762 | BattleOfTrincomaleeBySerres | An English man-o'war shortening sail entering Portsmouth harbour, with Fort Blockhouse off her port quarter | The Capture of Havana | The Captured Spanish Fleet at Havana, August-September 1762 |
Related Artists:
Vincenzo Campi
Vincenzo Campi (c. 1536 - 1591) was an Italian painter of the Renaissance from Cremona. His style merges Lombard with Mannerist styles, however, unlike his siblings, he is known for a series of canvases, mostly painted after 1570s [1], displaying genre scenes and local produce. Many set at a food store front of some sort. At the time, this type of paintings were uncommon in Italy, and more common in Netherlands, as exemplified by the canvases of Joachim Beuckelaer. In Cremona, his extended family was the main artistic studio of his time. Giulio Campi and Antonio Campi were reportedly half-brothers, while Bernardino Campi was a distant relative. All were active and prominent local painters. In 1586-1589, he and his brother Antonio completed paintings for the church of San Paolo Converso in Milan.
John Wesley Jarvis
(1781 - January 14, 1839), American painter, nephew of Methodist leader John Wesley, was born at South Shields, England, and was taken to the United States at the age of five. He was one of the earliest American painters to give serious attention to the study of anatomy. He lived at first in Philadelphia, afterwards establishing himself in New York City, where he enjoyed great popularity, though his conviviality and eccentric mode of life affected his work. He visited Baltimore, Charleston, and New Orleans, entertaining much and painting portraits of prominent people, particularly in New Orleans, where General Andrew Jackson was one of his sitters. He had for assistants at different times both Thomas Sully and Henry Inman. He affected singularity in dress and manners, and his mots were the talk of the day. But his work deteriorated, and he died in great poverty in New York City.
Eugene Bidau
French 19th Century






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